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・ Aerial Gunner
・ Aerial hoop
・ Aerial image
・ Aerial Image Library
・ Aerial insert
・ Aerial landscape art
・ Aerial lift
・ Aerial Lift Bridge
・ Aerial lift pylon
・ Aerial lighthouse
・ Aerial locomotion in marine animals
・ Aerial Manx
・ Aerial observer
・ Aerial operations in the Chaco War
・ Aerial Pandemonium Ballet
Aerial perspective
・ Aerial perspective (disambiguation)
・ Aerial Phenomena Enquiry Network
・ Aerial Phenomena Research Organization
・ Aerial photographic and satellite image interpretation
・ Aerial photography
・ Aerial platform
・ Aerial port squadron
・ Aerial ramming
・ Aerial Reconfigurable Embedded System
・ Aerial reconnaissance
・ Aerial reconnaissance in World War I
・ Aerial reconnaissance in World War II
・ Aerial refueling
・ Aerial Regional-scale Environmental Survey


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Aerial perspective : ウィキペディア英語版
Aerial perspective

Aerial perspective or atmospheric perspective refers to the effect the atmosphere has on the appearance of an object as it is viewed from a distance. As the distance between an object and a viewer increases, the contrast between the object and its background decreases, and the contrast of any markings or details within the object also decreases. The colours of the object also become less saturated and shift towards the background color, which is usually blue, but under some conditions may be some other color (for example, at sunrise or sunset distant colors may shift towards red).
==History==

Aerial perspective was used in paintings from the Netherlands in the 15th Century, and explanations of its effects were with varying degrees of accuracy written by polymaths such as Leon Battista Alberti and Leonardo da Vinci. The latter used aerial perspective in many of his paintings such as the Mona Lisa and The Last Supper. Atmospheric perspective was used in Pompeian Second Style paintings, one of the Pompeian Styles, dating as early as 30 BCE. A notable example is the Gardenscape from the Villa of Livia in Primaporta, Italy.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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